TopProgramYasmeen Godder “Practicing Empathy #3”

Program

Yasmeen Godder
“Practicing Empathy #3”

Since early 2019, the Yasmeen Godder Company is deeply involved in a research project titled “Practicing Empathy”, out of which a series of outcomes are being created. Since Godder will not be able to visit Japan to present her work on this occasion, there will be a screening of her latest work Practicing Empathy #3 in addition to videos of Practicing Empathy #1 and #2by2, followed by an online after show talk from the artist’s studio in Israel.
Time & Date
10/31 Sun 16:30
Screening and talk: 200 minutes (with two breaks)
*Please note that a live streaming of her latest work Practicing Empathy #3 was originally planned, but this has been changed to pre-recorded and edited footage. We kindly ask for your understanding.
*After show talk will be at the spiral hall 10/31 Sun, and at the same time, it will be streamed online for those who have a online ticket for 10/31 (however, it will be viewing only i.e. it will not be possible to actively participate to the Q&A)
*Please also note that the archive recording of Practicing Empathy #3 will be screened for a limited period from November 1 to 12. (Admission fees apply)
Venue
Spiral Hall
Program
16:30-17:30

“Practicing Empathy #1”
“Practicing Empathy #2by2”

 
17:30-17:45 Break

17:45-18:55
“Practicing Empathy #3”
(Archive streaming 11/1-11/12)

18:55-19:10 Break

19:10-19:50
After show talk (Live streaming from Godder’s studio in Israel)
〈Israel〉
Yasmeen Godder
Monica Gillete
〈Japan〉
Takao Kawaguchi (Dance New Air 2020->21 “INOUTSIDE“ Perfomer)

Since early 2019, the Yasmeen Godder Company is deeply involved in a research project titled “Practicing Empathy”, out of which a series of outcomes are being created. Each of the outcomes explore the notion of empathy through a variety of perspectives and approaches, attempting to look at what opens us up emotionally. What makes us identify and connect with others, as well as with ourselves? And how can we create new practices, rituals, songs, and choreographies, which may open up our ability to take in complexities without fear and distrust?

“Practicing Empathy #1“(the first practice that was created) focuses on the relationship and connectivity of the performers as they delve into a score of repetitive physical and vocal rituals, exposing their inner emotional landscapes. They play with creating an environment where empathy can be explored as a way to support, encourage, and react to the depth and complexity of their own and other‘s needs and expressions.

Co-production, Tanzhaus nrw, Düsseldorf Supported by Rabinovich Foundation and the Israel Lottery Council for the Culture and Arts.

“Practicing Empathy #2by2” – 8 audience members are invited to dive into a collaborative experience with 8 dancers, on a 2 meter by 2 meter square. This practice seeks to reclaim the 2-meter restriction defined by social distancing due to the spread of Covid19, and turn it around to become a means for connectivity, empathy, and intimacy.

Commissioned by and presented at The Chatira Le’maga Festival at Habait Theatre. Co-production: Tanzhaus nrw, Düsseldorf Supported by the Israel Lottery Council for the Culture and Arts.

“Practicing Empathy #3” is the third creation in this series and was originally planned to be developed in collaboration with varying local and international communities. However, the disruption caused by Covid19 became a catalyst for #3 to turn into a full-length solo for Yasmeen Godder, the first in her 25 year career. Godder uses the solo to examine the concept and sensation of empathy and how it relates to her own body and personal experiences. The work travels between a real time document of the past year’s experience of isolation, limitations and internal discovery, as well as generating continuous mechanisms of survival. Through Godder’s guidance, the solo is an offering to question and feel what role self-empathy can play in our current landscape.

A production by Yasmeen Godder Company and Künstlerhaus Mousonturm. A work commissioned by the festival Frankfurter Positionen 2021, an initiative of the BHFBank Foundation. Supported within the framework of the Alliance of International Production Houses by the Federal Government Commissioner for Culture and the Media. The production was supported by the Israeli ministry of foreign affairs, the general consulate of Germany, and Japan.

”Practicing Empathy #1”
Creation, Choreography: Yasmeen Godder
Dramaturgy: Itzik Giuli, Monica Gillette
Dancers: Ortal Atsbaha, Or Ashkenazi, Carmel Ben-Asher, Ari Teperberg, Tamar Kisch, Nir Vidan
Sound Design: Tomer Damsky, Lior Pinsky
Scenography and Lighting: Omer Sheizaf
Costumes Design: Hilla Shapira
Video Producer: Rotem Ben Hamo
Television Director: Mark Zhalkovsky
Technical Manager: Dan Tapuach Jaffe
Video Crew: Cinemark
Video Producer: Noam Greshler
Photography: Tamar Lamm
Production Manager: Omer Alsheich
Administrative Manager: Zohar Eshel-Acco
 
”Practicing Empathy #2by2”
Creation, Choreography: Yasmeen Godder
Dramaturgy: Monica Gillette, Itzik Giuli
Dancers: Ortal Atsbaha, Or Ashkenazi, Carmel Ben-Asher, Shuli Enosh, Yasmeen Godder, Ari Teperberg, Tamar Kisch, Nir Vidan
Scenography and Lighting: Omer Sheizaf
Sound Design: Lior Pinsky
Costumes Design: Tamar Ben Cnaan
Videographers: Ophir ben-Shimon, Daniel Pakes (Mitzpe Ramon) Cinemark (Israel Festival)
Video Editing: Omer Alsheich
Production Manager: Omer Alsheich
Administrative Manager: Zohar Eshel-Acco.
 
”Practicing Empathy #3”
Creation, Choreography, Performance: Yasmeen Godder
Dramaturgy, Rehearsal Director: Nir Vidan
“Practicing Empathy” Project Dramaturge: Monica Gillette
Objects: Gili Avissar
Construction Design: Gili Godiano
Light Design: Tamar Orr
Music: Beating Stick: Track 4 from the album Stick Music by Clogs
Composed by Padma New-some
Arrangement by Padma Newsome
Performed by Jennifer Choi, Erik Friedlander, Bryce Dessner, Padma Newsome
Asaf Avidan – Different Pulses
Lior Pinsky – Star Glass
Costume Designer: Shirley Itzik
Camera: Elad Debi and Omer Manor
Edit: Yoav Brill
Translation: Michiru Shin
Production Manager: Omer Alsheich
Administrative Manager: Zohar Eshel-Acco
Photos: Tamar Lamm, Eyal Tagar

    
                  
 
    

 

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